G/O Media, the owners of the cock-crazed Kotaku, are quietly closing down the publication as its Editor in Chief departs amid new company regulations. These regulations prioritize the creation of gaming guides over rage-bait content.
According to Aftermath, a publication established by former Kotaku writers including Nathan Grayson, who notably played a role in GamerGate by engaging in a sexual relationship with wannabe game “developer” Zoe Quinn for favorable press coverage, Jen Glennson, Kotaku’s Editor in Chief, has voluntarily stepped down after less than seven months as the EIC.
This shift is a direct response to updated corporate guidelines, emphasizing the production of guides over Kotaku’s typical approach of vilifying gaming consumers and advocating that attractive women in games are sexist, while simultaneously promoting articles celebrating homosexuality in gaming.
Which is why I refer to Kotaku as “Cocktaku,” as they’re clearly fixated on dick while spreading the message that breasts are misogynist.
Kotaku garnered attention with Alyssa Mercante’s recent article defending Sweet Baby Inc. However, Mercante’s piece deliberately excluded crucial details, portraying the DEI pronoun pushers favorably.
Notably omitted was the incident involving a Sweet Baby Inc employee named Chris Kindred, who attempted to orchestrate the cancellation of a Latin American individual by mobilizing over 18,000 followers to mass report his Twitter account, Steam account, and his Curation Group known as “Sweet Baby Inc Detected.”
The fallout from the unsuccessful bid to suppress criticism of Sweet Baby Inc’s curation and its track record of games either failing catastrophically or falling short in terms of story and narrative has been noteworthy. Gaming news outlets and even Homeland Security-funded non-profits emerged to defend this “innocent” company, despite its staff including anti-White racists such as Kim Belair and Maya Kramer.
Kotaku’s influence has waned significantly in recent years. Their strategy has primarily involved churning out rage-inducing content, fixating on homoerotic themes, or excessively focusing on penis. Simultaneously, they’ve advocated against femininity in video games.
These controversial articles were the publication’s sole means of attracting viewership as they produce controversial material to remain relevant.
As reported by Aftermath, Kotaku is now anticipated to produce 50 guides per week on its website. With staff members no longer granted the freedom to push personal agendas, several other employees have already followed their Editor in Chief, Jen Glennson, in resigning from the publication.
Producing fifty guides per week seems implausible, particularly considering Kotaku’s limited staff of around seven writers. This would necessitate each author to generate at least one guide per day, every day of the week.
However, it appears that G/O Media isn’t pushing Kotaku to change its direction for profit, as it’s the rage-inducing content that currently drives their revenue. Instead, this move by G/O Media seems to be a method of dismantling Kotaku without having to provide severance pay to its employees by terminating them.
Employees are expressing their disdain for these new regulations, primarily because they are now required to either play video games or strictly rely on content from other sources related to video games, rather than producing anti-gamer rage-bait that obsesses over cock and depictions of attractive women in gaming.
G/O Media’s intention is clear: they’re compelling Kotaku writers to drastically alter their course by assigning them an unattainable task. These low-wage bastards, essentially propagandists, are being coerced into leaving the company voluntarily before the entire brand is shuttered.
G/O Media’s recent divestment of Deadspin to a European startup underscores their strategy. The purported “sports” website appeared to be faltering, with its demise less than a year after a damaging smear campaign against an innocent child who was wrongly accused of wearing “blackface.” In reality, the child was simply sporting face paint in the colors of the Kansas City Chiefs.
It’s hard not to burst into laughter at this revelation. Kotaku employees are being forced to resign as the publication faces the inevitable outcome of either being sold or folding. These pathetic propagandists masquerading as gaming journalists don’t deserve any severance.
They’ve dedicated themselves to targeting the gaming industry with slanderous lies and deceit, and it’s time for them to face the consequences. To the soon-to-be ex-Kotaku writers: take heed.
There may be positions available with Nathan Grayson’s Aftermath, provided, of course, you’re willing to have sex with him.
